In this amazing East Nashville space
Holiday stuff going on has created enough scheduling conflicts that we have to reschedule. December 13th just won’t work for a lot of key people. The final deal breaker? I have to be in Clarksville all day on December 13th for a National Day of the Horse celebration. Yeeesh!
Now here’s the good news:
This is an amazing opportunity to introduce your art to a new audience of collectors, so we’re going to reschedule. Right now, the likely date is Saturday, February 21. And the event will be bigger and better. You have more time to get your work together to submit.
Fifth and Main on the top floor, it’s in East Nashville.
501 Main Street, Nashville, TN 37206
Because this is a relatively new building owned largely by creative professionals, it’s a great opportunity to sell work. It is definitely a great opportunity to show up for a super party, hang out, and chat up potential collectors. This is the crowd that helped rank Nashville the number two destination city nationwide for recent college graduates; the entrepreneur creative class.
Selected artists are invited to party as my guests. This means you get to hang out with me and the Poet in our loft, as well as attend the party. Our loft is your break room.
In two parts, there will be a happy hour from 4-6 with the art, of course, and a wine tasting. Then at 6, the party begins: Live music, food and a general good time! Altogether, this runs from 4-10 in the same amazing space.
If you want to submit your work early, you can. Email up to five JPG’s to:
Name your JPG’s with your first initial, last name, and image number. So for example, E_Hansen_1, E_Hansen_2, and so on. Your JPG’s should be no bigger than 750 KB.
Also please attach a brief (250 words) bio; also the sizes of your pieces. Everything you enter needs to be wired and ready to hang. No glass please, and no sawtooth hangers. If your piece is something on canvas with a stretcher so we can hang it by the stretcher with a single nail, that’s OK; for you, wired to hang is optional.
And for questions about anything, email me: firstname.lastname@example.org
The likely deadline for submissions will be Friday, January 23. Jurors TBA. I’ll be making all this official with an announcement around mid-December. Stay tuned!
I am an artist, and I work towards public awareness of the SAFE Act. I have learned that when we frame the issue as animal rights versus rancher’s rights, we lose every time. But when we frame the issue as public health versus rancher’s rights, we win sometimes, maybe even most of the time. So I am steering all my work in that direction.
In late 2012, I had begun a series of 21st century cave drawings called Blood Rescue to explore our relationship to the horse, from the beginnings at Lascaux and Chauvet through now; and how it has changed over 30,000 years. Right in the middle of that, the EU horsemeat scandal broke and the SAFE act was introduced into Congress.
You see, the major occupational hazard for artists, we fall in love with our models; and I had fallen in love with these 22 horse rescues. In an instant, February of 2013, I became an equine rescue advocate.
Now Blood Rescue has taken on a whole new meaning. It opens this November at the Customs House Museum in Clarkesville, TN, 22 pieces, as the anchor exhibition for a museum wide event called Season of the Equus. 32,000 square feet of art museum space will be devoted entirely to equine art. This will be the largest art museum exhibition of its kind in recent memory. I am using it to promote the SAFE act.
Maybe it’s because I’m an artist, but I believe that a powerful visual experience can change minds, move hearts, and cause people like me to get involved.
Well, this is a long story, but Vickery; doing what you do… I think you understand the depth of my support for you efforts. Please let me know what I can do to encourage and publicize your efforts. I have a pretty large and growing audience for my weekly blog posts. Let me know.
Supporters, Believers, and Friends: Thanks to you, Blood Rescue will anchor Season of the Equine, the largest museum exhibition of equine art in recent memory, four galleries in 32,000 square feet. This show opens at the Customs House Museum on Thursday, November 13.
In addition to my Blood Rescue project in the main gallery, there will be three more exhibitions: My Kingdom For A Horse, The Horse As Muse: Members of the American Acdemy of Equine Art, and Anthony Scarlati’s Rediscovering the Horse; plus more.
Here’s the Museum contact information:
Customs House Museum
200 S. 2nd Street
Clarksville, TN 37040
And we do have some events planned!
Opening Reception: Thursday, November 13 from 5PM-7PM. I’ll be there to hang out and say hello to all of you who show up.
Gallery Talk: On Thursday, November 20th at 12 Noon, I will give a gallery talk at the Museum. You all are invited to that, it’s free.
National Day of the Horse: Saturday, December 13, from 10AM to 5PM. Congress established this national Day ten years ago to celebrate the horse’s contribution to building this nation. On this Saturday, the museum is open from 10-5. Stay tuned for more details about the celebration. But let me say, if any of you want to share a stretch limo ride up to Clarksville, I’m in; maybe dinner dutch afterwards in Nashville?
Closing Reception: On Sunday afternoon, January 4, 2015 I am planning a closing reception at the Museum. This will be a special time to celebrate the work that we’ve done to raise the public’s awareness, and to consider what’s next. Plan to show up and bring your ideas. Let’s talk.
Thanking You In Advance For Your Support
Dear Congressmen Harkin, Crawford and Upton:
Public service is hard work, and we who support the Safeguard American Food Exports (SAFE) Act want to thank you for all that you do. We recognize you don’t have an easy job.
The SAFE Act is an example. On the one hand there are many people who believe that we have an overpopulation of unwanted horses. Their solution is horse slaughter for human consumption, and there are business interests who want to create slaughter houses to do just that.
But there are compelling public health issues that weigh against horse slaughter. Studies show, and the FDA ruled, that unlike beef, horsemeat is dangerous because of all the veterinarian medications horses receive. The medication residues in horsemeat are dangerous for anyone, and catastrophic for nursing infants and unborn fetuses. I’m sure you know, the European Union horsemeat scandal broke in January of 2013, and it was a disaster. People unknowingly ate horse meat.
Within 90 days, the SAFE Act was introduced. It now has well over 200 cosponsors. We urge you to move this bill through your committee to the floor with a positive recommendation for a vote. We don’t want a European-style scandal here in the US.
Thanking you in advance for your support,
Eric L Hansen and the Blood Rescue Team
Alice Wolff Colton
Dr. David Bruner
Dyann & michael Woody
Ewa Górniak Hamzi?
Iron Gait Percherons
Jean Sanford McGee
Judy H. Klich
Karen Hansen Downs
Karen Renee Robb
Kathleen S Merola
Krassi Mira Garbett
Louis La Croix
Mary Claire Crow
Pamela J. Clark
Robert K. Johnston
Stephanie Barton Grifin
Vicki Jett Terry
Billie Joe Mohler
The Kickstarter campaign I have going on right now is a unique opportunity to acquire some Blood Rescue equine art pieces. Any piece that will be in the museum show is available as a reward for support levels starting at $100 and up to $400 for the very large pieces; 40” X 60”. They are coming straight out of the show, so they are ready to hang. For anyone who wants to collect some of my work, these are good deals.
The only catch is that you have to pledge within the next 16 days; and I ship the piece to you when the show closes in January. Some have already been spoken for, so it would be good to take a look now. Thirteen of the original 22 are gone; there are 9 still available.
There’s also a pledge that will let you select any piece you want in any size that you want for delivery at the end of next month. They cost a little more: From $550 for the 24×36 to $1175 for the 40×60. Even those prices are below market, but they illustrate what a really good deal is to be had pledging for pieces that will be in the show.
I make everything in very small editions, which adds to their value. For example, the 40” X 60” pieces are editioned at three; meaning, there will only ever be three in the world. This adds to their potential after-sale value. I provide a letter of provenance with each piece setting forth its pedigree: What materials I used to make it, its particular number in the series, and a small thumbnail of the image. Of course I sign each letter, and I also emboss them with my seal so they are virtually impossible to counterfeit. These letters establish the authenticity of the piece you own. My work is collectible.
If you like, go here to see what’s available. If you have any questions, email me at Eric@EricLHansen.com. Or, I’d be glad to speak with you by phone.
Can Blood Rescue help save horses and get the SAFE Act passed?
The short answer is yes go here to support with your $5. Or, read on…
Simple fact: There are almost 450 horse rescue ranches with a total occupancy of 18,000 horses, and we still turn away 12,000 more annually; there are 205 Congressional sponsors of the Safe Guard American Food Exports (SAFE) Act; and there are 314 million Americans. Almost none of them have ever heard of SAFE.
Here’s the point: There aren’t enough of just us to fix this. We must reach outside our world to all those people who’ve never seen the inside of a paddock.
Blood Rescue is a socio-political body of work aimed straight at the rest of those 314 million people who’ve never heard of SAFE. It’s a powerful visual message: Slaughtering horses is wrong. Putting contaminated meat products in our food chain is wrong. Let’s be SAFE! Through social media, more than half a million people have already seen this message. And the exhibition hasn’t even opened yet.
There’s more: As part of this Kickstarter project, I will present copies of the Blood Rescue Banner Roll to five Congressional representatives. One copy each will go to Senator Mary Landrieu and Representative Patrick Meehan who sponsored the bill in Congress. Three more copies will go, one each to the chairs of the House Committees where the bill is now. I have already contacted them by mail at their home district offices with copies to their local press to let them know what we are planning to do. With enough funding, I will travel to their districts and present the banners to them in person, with press coverage. This will all happen at the end of October, just before Election Day November 4. With more funding, I’ll bring a video guy to record everything, and trust me; it’ll be on YouTube.
How many of those 314 million Americans can we reach with these events? I can’t count that high. All you need to pledge is $5… Go here!
I think Jung was right when he talked about the collective unconscious, that shared place where at some level, we all of us know that horses connect to our human soul. This was my conversion experience… click
So Blood Rescue began as a series of 21st century cave drawings. I just wanted to show our relationship to the horse and how it has changed over 35,000 years. And then, newscasters broke the European Union horsemeat scandal, and I was born again, now an equine rescue advocate. Today I stand with Blood Rescue to support the Safeguard American Food Exports (SAFE) Act. I believe a powerful visual message can change hearts and minds, in the same way I was changed, transformed, re-made.
In the United States there are 450 horse rescue ranches with a total capacity of 18,000 horses, and they turn away another 12,000 horses annually; there are 205 Congressional sponsors of the Safe Guard American Food Exports (SAFE) Act; and there are 314 million Americans. How many have been to a horse rescue ranch, or even heard of the SAFE Act? How can we engage their hearts and minds?
How about we help them have an experience like mine? How about we begin with just a million or so? Here’s how
Right in the middle of making Blood Rescue, January of 2013, newscasters broke the European horsemeat scandal. And literally in a moment, my world changed! Now I advocate for the Safeguard American Food Exports (SAFE) Act.
Looking back, I was naïve beyond belief. I didn’t know about kill buyers in this country, and how they operate. I was photographing 22 rescues on a ranch in Middle Tennessee, my Blood Rescue models. And you know, the major occupational hazard for artists? We fall in love with our models. I had fallen in love with 22 horses. Oh no, not my babies shipped off to Mexico or Canada. Oh no!
I refocused Blood Rescue. What was always there stands today as a visual story with a strong social message. My purpose here is to raise public awareness about our relationship with these amazing animals, tap into that shared knowing that these animals are part of our lives, a part that goes back to the beginnings of human time here on earth. They have become our companions and friends. We don’t eat them any more. Instead, we rescue them. Let’s get this SAFE Act passed. Let’s get this done.
Without rescue, Electra and Lacy would have ended up on someone’s plate, perhaps dining at the restaurant Pegase, depuis 1905?
Horsemeat’s on their menu! Their supplier, Ma Bonne Viande, sells horsemeat products imported from Canada and Mexico. These products contain any number of banned substances that are dangerous to anyone’s health. There is virtually no control over horsemeat imported into the EU. The SAFE (Safeguard America’s Food Exports) Act will stop this.
And do we really believe that tainted horsemeat hasn’t slipped its way into our own US food chain, the way it did in the EU? This is a public health issue that everyone can support. Let’s get the SAFE Act passed! Let’s get this done!
These volumes entitled Our Father are editioned at 26, and numbered A-Z. Each individual volume is, in effect, a mixed media piece presenting author Stellasue Lee’s collection of the father poems. Cover design by Eric L Hansen and hand silkscreen printed on French Muscletone—Pop Tone Hot Fudge 140C paper; interior pages designed by McClearen Design Studios in Nashville and printed on archival paper; each volume individually hand sewn.
When you purchase one of these 26 volumes, you receive a letter of provenance establishing your volume’s authenticity. Both your volume and the letter are hand-numbered, and they each bear Stellasue’s original signature and hand embossed seal.